The Stair of Time
The Lost Kingdoms of Laotswend, Book Two
by
Book Details
About the Book
The Stair of Time chronicles the continuing adventures of Andaris Rocaren, beginning where book one of the trilogy, The Eight Walls of Rogar, left off. Following the conclusion of The Shapeling Wars, our hero sets out with Gaven and Gramps in search of both a cure for Mandie, and a way back to Fairhaven. The Lost City of Laotswend, the ancestral home of the Lenoy, holds the keys to both. If only they can find it. Utilizing an ensorcelled map loaned to them by the wizard Ashel, as well as the lore of a forgotten age, they eventually succeed in locating the boundary separating their land from the Lenoy's, passing through a magical veil into a place that is as extraordinary as it is treacherous. When Andaris is parted from his companions on The Stair of Time, the nexus between worlds, he loses not only his way, but also himself, his surroundings becoming as ethereal as a dream. Attempting to discern what is fact from what is fiction, he wanders the stairs like a ghost, utterly alone, becoming more disheartened with each step, until, eventually, he is forced to come to terms with an uncomfortable truth about the nature of life, reality, and himself. To be sure, all is not as it seems as he explores the secret and circuitous paths between worlds, traveling from points in time and space as routinely as other people step through a door. The numerous threads of the tale in which he finds himself so embroiled, weave together into a complex tapestry that he must unravel if he is to accomplish his goals and live to adventure another day.
About the Author
Consider yourself officially warned, intrepid reader, for what follows is William Woodward’s very unconventional “About the Author” page, otherwise known as “His Views on the Enigmatic Process of Storytelling.” Mr. Woodward lives in a little town called Poetry—seriously. He is one of those people who writes because he must. During the initial creation process, he sees himself as little more than a conduit for the flow of information, the source of which no doubt hails from distant shores. During the editing process, he pours everything he has into each and every page, spending countless hours to make the story as engaging as his will and wherewithal are able. You see, the cadence and rhythm of the words is just as important as the tale, each sentence possessing the potential to ascend to a higher literary plane. What is writing but symbols on a page which represent sounds, which, when correctly penned, can ring in the mind like music? Indeed, when everything comes together just right, and the timing, volume, and pitch coalesce into orchestral splendor, a sort of magic ensues—the golden ratio of writing. A page of lyrical text is the soundtrack for one’s imagination, playing in the background as the story unfolds. Before you go, Mr. Woodward would like to leave you with a parting thought: should you honor him by cracking open one of his novels, the entirety of which was written in the dim and dusty confines of a cozy study, try to do so with a glad heart, surrendering to the adventure with a childlike wonder that few allow themselves. For whether it’s climbing to the top of forested mountains, or exploring the depths of subterranean ruins, this can transform the experience of “curling up with a good book” from merely entertaining to sublime.