The Triple Helix, A Harmonic Interpretation
by
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TABLE OF CONTENTS
CHAPTER -1- “THE GHOST IN THE ATOM IS REAL”
CHAPTER -2- “A PLACE FOR EVERYTHING, AND EVERYTHING
IS IN ITS PLACE”
CHAPTER -3- “THE TRIPLE HELIX AND A BLUEPRINT FOR LIFE”
CHAPTER -4- “THE MOTHER OF CREATION”
CHAPTER -5- “THE GREAT COSMIC SPIRIT”
CHAPTER -6- “THE DARK SIDE OF THE UNIVERSE”
CHAPTER -7- “A HARMONIC UNIFIED-FIELD THEORY”
CHAPTER -8- “A HARMONIC GRAND UNIFIED THEORY”
CHAPTER -9- “THE HARMONIC SPIRAL TRISKELION”
CHAPTER -10- “A GRAND HARMONIC REALITY”
Epilogue “ A Summation Chronicle”
Appendix “The Harmonic Measuring Rod”
This study, with major harmonic concentration on the micro world, has brought amazing attributes to the busy world of the atom. If this tiniest of the tiny contains all, which harmony appears to contribute to it, then I have no doubts one more enigma could be added to the list. Perhaps such final addition may be the result of the natural functional triskelian design of the atom itself. It could well be that the result of the triskelian design, with its perpetual spiral rotational acceleration is the manufacturing center for gravity. This chapter will advance gravitational force as the final choice for inclusion in this harmonic process of unification of all forces to be found to be atomic, to lie within, and be created within the atom itself.
Gravity is not just an external force caused by the effects of the warping of spacetime. It is also an internal force, caused by the spiral rotational accelerating harmonic forces generated within the triple helix residing within each tiny atom in nature, and
greatly magnified in the myriad’s of atoms present in you and me and everything else found in this universe. The more atoms, the larger the mass, the greater the gravitational force.
In his day, Kepler thought elliptical rather than circular in postulating the harmonic orbits for the planets, not realizing entirely why the ellipse was favored over the circle. Recent studies may provide some answers here. However, all of Kepler’s laws and all of the following postulations set forth in Newton’s ‘Principia,’ and yes, all of the great theories postulated by the marvelous mind of Albert Einstein, all of these laws of gravity describe the effect of gravity not the cause of gravity.
Everybody knows that things are really buzzing around inside the atom, that the motion is truly crazy, but we have yet to measure the enormous amount of motion within this tiny incredible perpetual motion machine. The cause underlying this fantastic activity lies not only in its design, but in the nature of its harmonic resonance and the controlling effect it produces on the spiral design of the atom.
As incredible as it may seem, here in this tiny atomic dynamo, all forces found in this universe are generated. The atom contains the very harmonic design for everything and it generates the correct number of forces, generating the cause of every effect that we experience in this reality of ours. This entire universe lives because of the tiniest of the tiny and the harmonic God force behind it all.
Atomic science, atomic hypothesis, or whatever you wish to label it, has postulated that everything in this universe of ours is composed of atoms, minute particles, which frantically move around in perpetual motion always attracting each other when confronted with each other, but never allowing, if they can help it, a fusion to occur. Depending on location and conditions, we view the atom in its vibrating state but never do we see it exhibit zero vibration. It is here, at the low end of its scale of vibration, that we locate the manufacturing process of the gravitational force.
At the low end of the atom’s harmonic vibrating scale, a constant gravitational force is generated in each individual atom. This force can be so measured. And collectively the myriad’s of atoms in matter in this universe can also be measured for the ‘G’ force compounds itself, and mightily so. Although weak, it is collectively strong, presenting to science a very unique duality.
At the heart of the atom’s perpetual motion lies the ‘elevated’ circle with its sevenfold harmonic apex. The spiral helix is the uncoiling of the circle with each circle containing its harmonic vibrating sevenfold apex located at the peak of each rotational step. Here as each spiral uncoils, each sevenfold harmonic adds and sustains the next, to generate the constant gravitational force we feel and which is manifest in all creation. In the final chapter we will discover that the peak of each spiral is actually a little to the left side of the very top of each circle. This creates what I will call “the axis of harmonic balance”.
This postulation on the nature of the gravitational force combines Einstein’s relativity equations that produce infinite results, with this discrete harmonic theory on quantum generation of the force of gravity. Gravity therefore is, in a way, analogous to harmonics itself that produces from the confines a of highly structured discrete musical scale the infinite selection of wondrous melody. The theory of relative conditions theorized by Einstein, is v
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About the Book
Music invades the micro-world of physics: - Entering the back door of physics, musician Vic Henigan harmonically defines the true nature of the unison 'Equivalence' that makes everything in reality dual, including time itself. The dual nature of everything in the world not only includes time, that is expressed in terms of 'Space' and 'Ring' time, but provides the central foundation of a new theory that is a logical explanation for the missing mass in the universe. On its journey through the vortex of black holes, waste matter is harmonically inverted from a positive world into a negative accretion disk, forming the rings of the universe and a new concept on eternity and the ultimate fate of creation.
A fascinating look at the interior and exterior worlds of physics and music. A work of pure discovery as we follow the author in the formulating of a group of postulations leading to the ultimate theory of everything. A work written at the primary level of comprehension in accord with the natural complexity of both music and the micro-world, that addresses the deep rooted questions underlying the theory of everything. A living approach to the study of creation, this study looks inside the architecture of matter and humanities highest form of expression; music.
Defines the diatonic atoms indefinable electron with a logarithmic harmonic theory that moves science to the very threshold of 'The Holy Grail Of Physics.' A work of great discovery, one almost feels as if these postulations have already been confirmed by scientific experimentation and are already a part of our everyday reality. We expect to control gravity, generate artificial life forms and create new universes tomorrow or certainly by the day after that.
About the Author
This inspired visionary literary effort that explores the interrelationship between the fundamentals of music and physics, is the work of church musician Victor G. Henigan who resides in Marin County, California. With sixteen years of private instrumental and vocal musical studies, coupled with over fifty years of service in the field of sacred music, the author assumes the role of music prophet as he moves to express the unique relationship between the art of music and the science of physics. Although it may read like one, this is not the work of a scientist. It is an inspired visionary work of a scholarly scientific nature that has been largely conceived by a self learned man. Divine inspiration elevates this effort above the norm placing it, with its abundance of innovative thought, into the unique arena of creative scientific thinking.
Mr. Henigan, a member of the Redwood Empire Chapter of The American Guild of Organists, is currently associate organist / choir director at the Tomales Presbyterian Church in Tomales, California. He is a member and tenor soloist of the Sonoma County Men's Chorus, and the bass clef hands in the four handed duo piano team of 'Robert and Victor' who frequently delight their audiences by featuring music from old time ragtime and the great four handed classical piano works by composer Franz Schubert.