The Theft of Art and The End of Time

The beginning of the theft of art:  or the con that is now capable of being defined as art, did begin with the very beginning a mankind's recording of time, and with the birth of two-dimensional art.  Which was as Paleolithic man, did start to produce two-dimensional illustrations while being projected upon – and/or drawn upon, the walls of their caves.  The illustrations were then communicable:  while existing as a projected abstraction from within reality, to any other person who had, also, enabled themselves to become capable of forming an understanding of our truly humanistic environment, and too which was while actually occurring within their own, individual, uniquely humanistic mind.  Within which:  a human being's mind, there does actually exist no projected images of any tangible form masses, and/or any images of any things whatsoever.  While these renderings, which were simply drawn upon their individual cave man walls, are testimony to mankind's ability to become capable of forming truly humanistic self-consciousness.  As they became capable of communicating an acquired understanding of their, deliberate, earthly existence within Reality.  This acknowledged understanding of Reality, and the fact that there does exist no projected images of things within our uniquely humanistic minds, does then enable us to begin to prove the scientific fact that if a picture – any picture, does not contain a projected representation of a humanistic reality:  actually represented upon it and such as any asinine Cubist picture, it can, exactly, not be defined as a representation of intelligence.  And, as a matter of scientific fact, it can only be defined as a representation of truly humanistic brain death, and/or brainwashing.