First
Elegy
<>Who, if I cried out, would hear me among the Angelic
Orders? and what if one of them would suddenly
take me to his heart: I would fade away in his
stronger presence. Because beauty is nothing else
but the beginning of terror, which we are just able to bear,
and we are stunned by it because it so serenely disdains
to destroy us. Each Angel is terrifying.
And so I restrain myself and swallow the call-note
of darkened sobs. Oh, who then will have the ability to be
of use to us? Not Angels, not men,
and the resourceful animals already sense
that we do not feel very much at home in
this elucidated world. There, perhaps, remains for us
some tree on a slope that we can return to and see
every day; there may remain for us the street from yesterday
and the distorted allegiance of a habit,
that feels comfortable with us, and thus it remains and does
not leave.
Oh, and the night, the night, when the wind full of cosmic
space gnaws at our faces —, for whom would she not stay, that
yearned-for,
<>mildly disappointing she, whom the abandoned heart
tiredly awaits. Is she easier on lovers?
Ah, they conceal their fate only with one another.
Don’t you know it yet? Hurl the emptiness out of your arms
into the cosmic spaces that we breathe; perhaps the birds
can feel the expanded air with a more contemplative flight.
<>
The Panther
In
the Jardin des Plantes, Paris
<>
His gaze has been so worn by the
procession
of bars, that there is nothing it can
hold.
A thousand bars comprise his sole
impression,
a thousand bars, and the world
beyond’s a void.
<>
The supple gait that yields the
forceful strides
which draws him into ever smaller
circles and
like a dance of power about the center
glides
in which a mighty will stands, impotent.
<>
Only sometimes do the pupils’ curtains
draw silently apart —. An image then
gains entry
and, passing along the limbs' certain
stillness, stops in the heart and
ceases to be.